"Why We Shout In Anger"

"Why We Shout In Anger"

A Hindu saint who was visiting river Ganges to take bath found a group of family members on the banks, shouting in anger at each other. He turned to his disciples smiled 'n asked.

'Why do people shout in anger shout at each other?'

Disciples thought for a while, one of them said, 'Because we lose our calm, we shout.'

'But, why should you shout when the other person is just next to you? You can as well tell him what you have to say in a soft manner.' asked the saint

Disciples gave some other answers but none satisfied the other disciples.
Finally the saint explained, .

'When two people are angry at each other, their hearts distance a lot. To cover that distance they must shout to be able to hear each other. The angrier they are, the stronger they will have to shout to hear each other to cover that great distance.

What happens when two people fall in love? They don't shout at each other but talk softly, Because their hearts are very close. The distance between them is either nonexistent or very small...'

The saint continued, 'When they love each other even more, what happens? They do not speak, only whisper 'n they get even closer to each other in their love. Finally they even need not whisper, they only look at each other 'n that's all. That is how close two people are when they love each other.'

He looked at his disciples 'n said.

'So when you argue do not let your hearts get distant, Do not say words that distance each other more, Or else there will come a day when the distance is so great that you will not find the path to return.'

Konkani Shayari

Konkani Shayari

By : ASHOK SHENOY

1.       Megele biale o baile

Chike aeika hav sangile

Megele bail javnu garani soon jail o baile

Potonu mog kornu hordik jathri moga du jail o baile

Mayi hooni sakad tu baile

makk kokka divnu avsu jale o baile

2.       Tu chand paddi jalari chikke kaddi

Thijje chand thondi  jalari chike boddi

3.       Kithle chand padow jalari

bovntha thajje angari kidow

navka manche hakka

nathle ashi jatha aeika

4.       aggo ali kanuthihudu sundara bhanu

anna makk hordik naka hav anikai sannu

5.       ha ha ha jai abba jai

jalari hordik paei

yeth makk ek mayi

magiri karchu kedani

thaka duradalide banu

anna hav anikai sannu

6.       manthathi jann makk godo

gara bapamak hav bodow

cheliyo mantha makk padow

kelav manthathi makk godo

thakachi

chelyengel moga choro

javka have chikke thoro

thedolo

ago dura dalide banu

anna hav anikai sannu

7.       javnak ajji dali

pan thakka galni

thaka hav the geni

kela tomato saru

gethle the choru

javlo pot bornu

8.       thigele nav bhanumathi

thigelemammale poothu sripathi

karthalo kedanai kithapathi

thaka ath thi hageli srimathi

hordik jathari kedanai koru lagli chapathi

thakka hanei chalaile hagele iqqmathi

wachu laglo sadha hotel indumathi

vichar kele banumathi davli koolarak

sathi-pathi Madhya galato prachar jalo saglo gavanka

9.       hoom galonu gole rath dis

thaka ath warla matheri thin kess

10.   kon kon kassi kassi kalna ajji kali

konai konali sonu dinathi thangeli pithali

lekthathi shapithathi mannani

ekle palaile ekle jaina he ass khani

11.   dila devan ajji ek nave divasu

asso tumgele thondari mandhahasu

he megele prathana

devale davarchi nivedhana

sakdanka di yashasu

di ayur-arogya ayasu

12.   megel akkale du sahana

melth makka kedana

jala makka tujjeri preeti

kasi sangu thaje reethi

laggi asthana hav kidaitha hasaitha

dur assthana tugel odgas makk radaith

thugel vanteri mancho hasu

the nidlari obcho kesu

jala makk buddi bramana

boroche yenna makk prema kavana

kela have tuka samarpana

artu kornu ge he megele vinamra nivedhana

megele akkale du sahana

melth makk tu kedana

13.   jai makk ek soon amchigeli

thasi munu hav pura kadenaisodhu geli

atha cheliyo pura doctor engineera

jalari megel pooth kartha udupa vera

janannk jai banglore manglore

kona jai he kallianpura

assok jai flat

galuk jai plate

kona jai pej

jai javnak mej

hotela kalari pilari prestige

gara khalari tu ek waste cheez

he megeli kani

aeiku tumka sanni

14.   Jeevan mancho dhoni disa kelo

Hanthai atha modern cheliyengel melo

Ann ammale moga duvv

Jalari thani charkengele hardhe komche suvv

Palaithana jatha ek padow istt

Magiri kalche jeevana kastt

15.   Ath sakad balmanshangele karbar

Chalthas thangle hatha amgel sarkar

Rastheri palailari burr vache car

Darlenka jala aar ya paar

Hordik jalari jatha darlo grahasthu

Jalari bailen manka sakada asthu

He atha samaj

Asi jala reevaj

16.   Kelle have mogu ek phoolak

Jalari gethle the ani konki molak

Lekthalo phoola palaithana

Hav bhagyawantu

Kalitha aeilo ho loku

Chalcho he duddhwantu

17.   Konai wajilari

megele shayari

Padth pet pideri

 manthathi jan hajj ek janki

Kithe malari thank darla andhakara branthi

18.   Jeevan mancho odka kiraile sakkara

Yetha sukh dukh ek prakar

Aneklek polonu hasthalo manavo

Vingada chang lekthalo danavo

19.   Manthale thondani kedanai ram ram

Assilo mannatu bhari KAMA

Palailo sabentu neel chithra

Aeilo paperari he sakad charithra

Manthale jann hanni bhari chang

Ani kon bantha NAVABHARATH sang

20.   Ahha kithle chand thigele thondi

Jalale jalari thi megele gondi

Nanchthalo thigel kathir matheri dhornu gindi

Magiri dankthalo gara bagil kindi

21.   Tu bhari sundharangi

Chamkathna tugele chamkani

Hasuya munu distha ani ani

Kithe thassi chamkatha

Paya komblava java aaNni

What does "Namaste" mean?

What does "Namaste" mean?

The gesture Namaste represents the belief that there is a Divine spark within each of us that is located in the heart chakra.

The gesture is an acknowledgment of the soul in one by the soul in another.

"Nama" means bow,

"as" means I, and

"te" means you.

Therefore, Namaste literally means "bow me you" or "I bow to you."

To perform Namaste, we place the hands together at the heart charka, close the eyes, and bow the head. It can also be done by placing the hands together in front of the third eye, bowing the head, and then bringing the hands down to the heart.

This is an especially deep form of respect.

Although in the West the word "Namaste" is usually spoken in conjunction with the gesture, in India, it is understood that the gesture itself signifies Namaste, and therefore, it is unnecessary to say the word while bowing.

We bring the hands together at the heart chakra to increase the flow of Divine love. Bowing the head and closing the eyes helps the mind surrender to the Divine in the heart. One can do Namaste to oneself as a meditation technique to go deeper inside the heart chakra; when done with someone else, it is also a beautiful, albeit quick, meditation.

For a teacher and student, Namaste allows two individuals to come together energetically to a place of connection and timelessness, free from the bonds of ego-connection.

If it is done with deep feeling in the heart and with the mind surrendered, a deep union of spirits can blossom.

Ideally, Namaste should be done both at the beginning and at the end of class. Usually, it is done at the end of class because the mind is less active and the energy in the room is more peaceful. The teacher initiates Namaste as a symbol of gratitude and respect toward her students and her own teachers and in return invites the students to connect with their lineage, thereby allowing the truth to flow ” the truth that we are all one when we live from the heart.